Oil on canvas, 24 × 36 inches
Hecate’s Mirror centers the body in a moment of inward reckoning. The pregnant figure crouches low, hands parted in water glowing with realization.
This is a portrait of confrontation—what surfaces when attention turns inward.
The figure is rendered without idealization. Flesh is heavy and present. Red light presses against the skin while the surrounding darkness holds the space steady. The water functions as a boundary: between interior and exterior, past and present, what is known and what is still forming. The mirror does not soften or resolve. It returns what it finds.
The composition pulls downward and inward, slowing the viewer and holding them there. This is a painting meant to live in a private space—a place where its presence can be returned to over time rather than explained once.
Hecate’s Mirror belongs to Metanoia, a body of work concerned with transformation as a physical process. Change here is not symbolic or complete. It is carried by the body, mid-gesture.
Oil on canvas, 24 × 36 inches
Hecate’s Mirror centers the body in a moment of inward reckoning. The pregnant figure crouches low, hands parted in water glowing with realization.
This is a portrait of confrontation—what surfaces when attention turns inward.
The figure is rendered without idealization. Flesh is heavy and present. Red light presses against the skin while the surrounding darkness holds the space steady. The water functions as a boundary: between interior and exterior, past and present, what is known and what is still forming. The mirror does not soften or resolve. It returns what it finds.
The composition pulls downward and inward, slowing the viewer and holding them there. This is a painting meant to live in a private space—a place where its presence can be returned to over time rather than explained once.
Hecate’s Mirror belongs to Metanoia, a body of work concerned with transformation as a physical process. Change here is not symbolic or complete. It is carried by the body, mid-gesture.
